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How To Fix 889a Codec Problems

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    In the past few days, some of our readers have reported that they have encountered the 889a codec.

    General Description

    ALC898 is a high-definition multi-channel audio codec with Realtek’s patented lossless protection technology that satisfactorily protects pre-recorded data and provides full sound reproduction from DVD-Audio, Blu-ray DVD and possibly HD-DVD. allows .

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  • The ALC898 offers ten channels of DACs that support simultaneous 7.1 audio playback as well as 2 channels that use independent stereo audio output (multi-streams) from the front panel stereo outputs. Two stereo ADCs and a radio digital microphone converter are built in to support a microphone array that uses innovative Acoustic Echo Cancellation (AEC), Beamforming (BF) and Noise Reduction (NS) technologies. The ALC898 incorporates Realtek’s patented air compressor technology to achieve a playback quality (DAC) of 110 dB signal-to-noise ratio (SNR) and therefore a recording quality of 104 dB (adc) SNR. .

    All analog I/O can support I/O very well, and headphone amplifiers are also integrated 4 analog output ports (port-A can support port-H). All analog inputs/outputs can be reassigned based on user definitions.

    889a codec

    Support for 16/20/24-bit S/PDIF inputs and outputs up to 192kHz sample rate makes it very easy to connect your PC to your desired electronic components such as digital set-top boxes and speakers. The ALC898 has an additional S/PDIF output and converts the car’s digital audio output to a High Definition Media Interface (HDMI) transmitter.

    The ALC898 can stream audio from Intel chipsets as well as any other HDA compatible audio controller. With various software packages such as ambient sound emulation, multi-band and software-independent equalizer, dynamic compressor and expander, Dolby PCEE add-on, SRS TruSurround HD, SRS Premium Sound, Fortemedia SAM, Creative Host Audio, Synopsys Sonic Focus, DTS Sensations Surround | UltraPC and DTS Connect licenses required. ALC898 offers the best visible quality, providing an excellent element of entertainment and gaming for PC users.

    889a codec

    I’ve been looking at this thread for various reasons… First, I’m a big fan of digital audio in some of its qualities… It’s also hard for me to hate digital audio compared to its old counterpart. A lot of it has to do with my lack of digital audio standards (if there are any)… but I like digital sounds that are easy to work with and can sound really good IF you end up making something .

    I didn’t review the 889A, but we all think my previous laptop had an ALC883 chip. In any case, the main difference between the Realtek HD codec chips is the much larger number of input and output options. The Realtek chips themselves are not bad, but I’m surprised that absolutely no one came up with the idea of ​​breaking the block board. People tend to overlook this energy because it’s a high-definition system…maybe analog circuitry is involved.

    This is the case I have experienced with most sound cards. They have one bad codec chip that comes with the cheapest op amps with products that don’t have optimal design and franklyme, I had an SD card that I didn’t modify. Embedded audio added for the convenience and retail of the board… usually doesn’t meet the high quality standards of audio files. Sometimes you get outputs that match well, sometimes you get outputs that sound so bad. PCI cards are no exception either. Quite often, the manufacturer directs such a large percentage of the cost of the card to the DSP / codec, thereby beating the next “working” main analog stage.

    Despite the proven ALCs, these are not bad chips… The same cannot be said about the Audigy 2… and from there my chatter about the entire Audigy series and all sorts of problems with the sound card.

    I have an Audigy 2… At the moment I have one on my Linux desktop; and just so you can know my testimonies as well as my history; I used to have an Audigy 1 card, and in your days I was a proud patron of X-Fi.

    An Audigy2 or Perfect may not get a better finish than your built-in one. Shocked? So that’s why? First of all, the analog feel of the Audigy is good…better than most…but still below average in the audio.in the phiophilic sense. I actually took my own, tried out the op-amps and made a few modifications to the current board to improve the output stages, and then made a pretty good board out of it. But even with top-notch analog output, the A2 still struggles. Yes, the drivers are old… that’s why I started using the kX project drivers for them. Admittedly, these collaborators are a bit of a hassle, but “a lot” for a sound card, I must say… I love the fact that if I can link them together in the makeup editor, I can create effects… and you can direct 2 separate stereo outputs to other channels to expand the virtual sound card… I mean, men and women have really opened up the power of the card. However, functionally the A2 is based on the same DSP core as the A1. The 96/24 socket was screwed “on” in the form of a p16v chip. When the 88/192/24 board is powered up, it essentially does the decoding in the chip path. When using DSP effects, the 48/16 version is sampled and sent to that particular DSP and then mixed into the final result m p16v. If you play back 44.1/16… then the DSP will continue to resample the material to get 48/16. This conversion is certainly not well done and can lead to large intermodulation distortion. When I started my A2, since almost all of my music played mostly in Winamp, I actually disabled the DSP on the kX machine and used the SSRC plugin so I could upsample everything to 96/24. Therefore, if you use a ready-made card, you may not use its full potential. Original analog stages

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